Product Description
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Follow up to the 2004 film of the same name - a US remake of the
Japanese film 'Ju-on' (2003) by Takashi Shimizu. In this sequel,
the vengeful and terrible curse continues to consume and petrify
all in its path as we are shown three seemingly unconnected
stories. An American girl discovers her sister is being held in a
Japanese hospital and is simultaneously under suspicion of
arson/murder in which her boyfriend has died. She immediately
goes to be at her sister's side but is intercepted by a
journalist who informs her that her sister is being consumed by a
dark force. At the same time, an American girl at an
international school elsewhere in Tokyo is trying to get in with
the school's top girls. She'll do anything to be accepted so when
she's told to go into a mysterious burned-out house, she doesn't
question it.Jake is living with his dad who has remarried quite
soon after his mom's death, so the boy becomes sullen and
withdrawn. He's easily drawn to a mysterious, equally withdrawn
neighbour.
From .co.uk
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The Grudge 2 is a spooky installment in Takashi Shimizu's
hardworking Ju-on/Grudge series of horror pictures. It doesn't
carry the disorienting thrill of the very first Japanese Ju-on
features, but it's a lot creepier than anybody could have
expected. The story picks up from the end of the first Hollywood
version of The Grudge, and has nothing to do with Ju-on 2,
Shimizu's Japanese sequel. Sarah Michelle Gellar returns (a
distinctly supporting role) as an American woman traumatized by
her experiences with a haunted house in Tokyo; younger sister
Amber Tamblyn flies over to help out. This particular storyline
doesn't have much meat on it; the murder house is still there,
and people who go inside have a disconcerting habit of dropping
dead. Fortunately, two other plots thread into the basic one: a
group of American schoolgirls in Tokyo become intrigued by the
legend of the house, and some Chicago apartment dwellers are
unsettled by domestic anxiety and the weird sounds coming from
next door. (This storyline, featuring Jennifer Beals, gives the
film its extremely satisfying opening sequence.)
As usual with these movies, sequences come to us in
non-chronological order, and it's up to us to piece it together.
You can guess where the film is going, but the slow trajectory
toward its final sequences is surprisingly involving. The movie
was widely panned upon its release, which says more about the
presumption of the law of diminishing sequel returns than the
film itself--it's a decent little horror flick. --Robert Horton
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Synopsis
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The titular curse expands along with the franchise in the sequel
to The Grudge, which itself was a remake of the Japanese original
for American audiences. The film has an ensemble cast and an
extensive number of subplots that further reflect this tendency
towards expansion. The story picks up right where the last one
ended, with Karen (Sarah Michelle Gellar, Buffy the Vampire
Slayer) in the hospital, the only survivor of an ill-ed
encounter with a cursed house. She has not emerged unscathed,
however, and it's up to her estranged sister, Aubrey (Amber
Tamblyn, Joan of Arcadia), to figure out the mystery behind the
strange goings-on related to the now half-demolished house. In
doing so, she teams up with a journalist named Eason (Edison
Chen), who has been following the case from the very beginning,
and the pair embark on a trip to the decidedly creepy Japanese
countryside, hoping to visit the mother of one of the house's
original inhabitants. Meanwhile, three teenage girls who attend a
local international high school are haunted by nightmarish
encounters, which begin after they venture inside the house to
pull a mean prank on the new girl. When one of the girls returns
home to Chicago, the curse spreads to her apartment building,
where members of a family that have recently acquired an
unexpected new stepmother (Jennifer Beals, Flashdance,, The L
Word) violently turn on one another. Symptoms of the curse begin
to turn up everywhere, while a horrified Aubrey learns that there
is no way to stop it from spreading. Although the film suffers
from a diffuse plotline, the high production values and
well-executed special effects ensure a highly satisfying
experience for discerning viewers out for a thrill.
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